Melanie Kitti’s writing and visual arts practice stems from a place of disruption, fragmentation, and discontinuity. Her acclaimed literary debut, Halvt urne, halvt gral (Half Urn, Half Grail, Gyldendal, 2022), collects succinct and fleeting notes on a family—and consequently a mental state—about to dissolve. Her painterly practice employs DIY fresco techniques on bulks created from, for instance, plaster. Using materials impossible to preserve, she creates a frailty always at risk of imploding.